Reece Rosé and Capri Everitt Drop A Sexy UK House Single
The latest effort from Reece Rosé showcases his ability to bring out semi-nostalgic tones, along with fresh approaches that combine to build an unbelievably danceable aesthetic and groove. He combines classic house elements with hints of underground UK dance, all tied together by a slightly edgy undertone and a smooth overtone.
Part of that smooth overtone comes from the fact that he teamed up with Capri Everitt on this one, who definitely lends a hand by giving alluring and slightly sensual style vocals that sway, bend, and whisper in your ear.
"Misbehaving" is a track that definitely has some drive to it, will make you want to move your body almost straight away, and provides a lot of attitude that you just can't get away from.
The track is percussively lush. There are tons of awesome symbol work along with a kick beat that cuts through everything, adding a lot of that push, and the synths are amazing on this because that is one of the biggest elements that brings up the classic house tonality.
You can clearly tell that Reece brought together a slew of influences that he holds close to his heart in order to put this track together.
Combining the old-school with the fresh approach was brilliant, and Capri is really outstanding on this track, adding a sexy edge, doubling her vocals for thickness and a full-bodied feel, and the tone of those vocals melds with the instrumentation amazingly.
She performs her vocals with this sort of swagger. She bends her notes as she sings them, giving them a little bit of a gritty undertone and loads of fresh attitude, which is exactly what the track needed to bring it into an almost UK garage style feel.
This is quite an addictive one.
Some awesome and experimental keys and synthesizers are laced throughout the song, giving it a bit more depth and expansive underbelly. And that's something that is also kind of a classic move.
Incorporating that vest undertone was brilliant because a lot of the older house stuff from the early to mid-90s, for example, always had that spaciousness. It was a very consistent element of the songs and definitely built on the atmosphere.
These are the kind of attributes that Reece absolutely nailed.
I also really like how the track wasn't super over the top. None of it was overwhelming, but instead super well-balanced dynamically, while still enabling you to get deep into that groove.
Which is something you won't be able to help, by the way.
Especially if you are a fan of house music in general, although this combines other elements of electronic music along with plenty of pop sensibility, you won't be able to help but get down with this song.
If you're driving in the car, you'll be shaking your butt in the seat. If you're at home, move the couch back so you can dance around the living room, but either way, you're in for some classic fun.
This is a perfect song for a house party or the club. I think that's where part of the Nostalgia comes from, in general. Being in the club and hearing songs like this one. The way he captured the essence of that was outstanding.
Bringing on Capri was a very smart move because it separates the song and is part of what helps combine the old with the new.
This was done with plenty of attention paid to the little details but also with a natural flow and plenty of heart, which I found invigorating.
I'll admit, it's hard to dance and write at the same time, but I pulled it off.
Don't miss this one, especially if you love classic house, UK garage style stuff, or just electronic music that lends a hand to elements of vintage tones, with a bit of swagger.
